Chiron Floris x Young Office Bonnefantenmuseum

FASHIONCLASH connected fashion designer Chiron Floris to Young Office of Bonnefontenmuseum.
Here below you can see the results of the collaboration.

'I designed a signature piece that represents the spirit of YOUNG OFFICE. A great source of inspiration during the design process was Grayson Perry's Walthamtsow Tapestry. Each jacket has its own unique and patchwork, designed and made by a member of YOUNG OFFICE' - Chiron Floris

IG: Chiron Floris
More about Young Office here

Photography by Guy Houben

Fashion + Design Festival Arnhem 2021 re- examines the PURPOSE of the current fashion system

The new edition of the Fashion + Design Festival Arnhem will officially start soon on the 3rd of June 2021. This year, together with designers, artists and partners, the festival has a hybrid character due to the current global pandemic.
Together with designers, partners and curators Fashion + Design Festival Arnhem will investigate how the desire for a deeper purpose manifests itself in fashion and design. And how the fashion system is reinventing itself, after the reset.
It is about PURPOSE, but certainly also about REPURPOSE and a reset of the fashion system in a contemplative way. The festival zooms in on the way in which fashion and product design responds to the changing focus from material to immaterial happiness and purpose, based on the ten dimensions.

The ten dimensions refer to domains such as consumption, gender equality, ratio, emotion, empathy and are derived from the Tree of Life of Kabbalistic teachings, with the aim of finding a perfect balance in a combination of these dimensions. The entire program this year is focused on showing different paradigms in the dimensions, allowing visitors to see that contemporary ideas about PURPOSE, sustainability to find a new balance and fundamental mentality shift.

The seventh edition of the festival will take place from 3 June to 3 July 2021 in Arnhem city center, with a COVID-19 proof set-up, a high-quality hybrid festival, where online and offline events alternate and complement each other. Every week a number of dimensions from the overarching theme 'PURPOSE' are highlighted. FDFA offers depth on the theme every week by means of videos and hybrid events. The programming takes place mainly on Thursdays and Fridays in June and is organized in collaboration with partners of the FDFA.

The digital program consists of an opening week with designer talks on the theme PURPOSE within the ten dimensions. Throughout the month, the FDFA presents digital programs, such as video interviews with the talents within the dimensions, how they create videos about the creative process and craft with local Arnhem designers and substantive visual installations. The FDFA lets experts talk about the hacks for a sustainable, upcycled wardrobe, and where clothing comes from.

The FDFA gives a seminar on PURPOSE & RE-PURPOSE and within the themes talks are hosted about sustainable projects such as The Linen Project and Fashion For Good about the future of circular design and new biobased materials. The Linen Project is investigating whether it is possible to start the local production of flax, linen and (linen) products in a sustainable manner in the Netherlands, so that the quality and origin of the products can be brought back to a local level. On the interactive parts, workshops are given in crafts such as screen printing and knitting. During the Fashion Month, the final exam students of ArtEZ University of Arts and Rijn IJssel Creative Industry will show their graduation collections.

View the program: www.fdfarnhem.nl/programma

Image credit:
1. Collectie Arnhem - Photo: Wendelien Daan / Styling: Mary-Lou Berkulin / model: Lisette Ros
2. PAINTED SERIES (SASKIA VAN DRIMMELEN EN MARGREET SWEERTS) Model Liv tenThije (Tjarda Model Management) / Photo Wendelien Daan ©2020 / Styling Mary-Lou Berkulin

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FASHIONCLASH doet mee met Anjeractie.

Van 28 mei tot en met 5 juni doet FASHIONCLASH mee aan de jaarlijkse actie van het Prins Bernhard Cultuurfonds. In totaal collecteren 1182 organisatie in het hele land om geld op te halen voor lokale cultuur en natuur. Samen spelen ze een belangrijke rol om dorpen, buurten en regio’s bruisender te maken.

De collecte is dit jaar voor de tweede keer mobiel, via appjes, mailtjes en social media. De opbrengst van de actie is voor de organisaties die actievoeren.

FASHIONCLASH voert actie om jonge makers te helpen werk te ontwikkelen en te tonen aan breed publiek. En juist nu willen we verder experimenteren met digitalisering en presentatie vormen om het podium te kunnen blijven bieden.

FASHIONCLASH biedt podium en ondersteuning aan jonge ontwerpers en kunstenaars, plaatst mode in maatschappelijke context en draag zo bij aan positieve verandering in de samenleving. Daarnaast zijn de activiteiten van FASHIONCLASH voor een breed publiek.
Het is juist nu gebleken hoe kwetsbaar de jonge makers zijn en het bieden van platform is heel hard nodig. Om door te kunnen gaan als platform en om te innoveren is het noodzakelijk om juist nu te investeren in digitalisering.
Denk aan het maken van opnames, inhuren van techniek en het mogelijk maken van livestream om activiteiten van FASHIONCLASH voor zoveel mogelijk bereikbaar te houden. Het opgehaalde bedrag zal direct en concreet gebruikt worden voor digitalisering van de 13e editie van FASHIONCLASH Festival.

Doneer via de onderstaande QR-code een bedrag naar keuze.

https://cultuurfonds.gift/c/mobiele-collecte-2021?p=44239055

Redress Design Award 2021 Semi Finalists

The Redress Design Award announced the semi-finalists of its 11th cycle – 30 talented sustainable designers from across the globe representing the future of fashion. This year, for the first time in the programme’s history, the public has been invited as an official judge to determine via online vote one designer from the semi-finalists to directly enter the final round of the competition. The winner of this People's Choice Award will present their collection at the Grand Final Show in September 2021, alongside nine other finalists to be selected by an international panel of expert judges.

Help decide which of the 30 Redress Design Award Semi-finalists will win the title of People’s Choice 2021! Simply select your favourite sustainable fashion designer based on their sketches and written statement, and hit ‘NEXT’.

Voting closes on 8 May 2021. The most voted-for designer will be announced along with the Redress Design Award 2021 finalists on 13 May 2021.

By voting, your name will be entered into a draw for a chance to win a copy of Redress’ ‘Dress [with] Sense: The Practical Guide to a Conscious Closet’, a stylish guide to environment-friendly ways of buying, wearing, caring for, and decluttering your wardrobe.

The Redress Design Award 2021’s Semi-finalists are:
●Federico Badini Confalonieri, United Kingdom
●Nawoda Bandara, Sri Lanka
●Saskia Baur-Schmid, Australia
●Jessica Chang, Taiwan
●Ruwanthi Gajadeera, Sri Lanka
●Saraansh Gupta, India
●Purnima Jain, India
●Jin Pei-Wen, Taiwan
●Paula Keilholz, Germany
●Isabella Li Kostrzewa, United States of America
●Psy Lau, Hong Kong
●Jasmine Leung, Hong Kong
●Liu Jing, Hong Kong
●Liu Feng, Mainland China
●Ffion Martin, United Kingdom
●Andra Nistor, United Kingdom
●Tulika Ranjan, India
●Sofia Sanchez, United Kingdom
●Lucy Saunders, United Kingdom
●Lili Sipeki, United Kingdom
●Friederike Snelting, Germany
●Berivan Tomay, United Kingdom
●Sabine Viksne, Latvia
●Kristina Vyzaite, United Kingdom
●Wei Jia , Mainland China
●Felipe Wu, United Kingdom
●Xia Mingwei, Mainland China
●Xu YiDan, Mainland China
●Taofeeq Yahaya, Nigeria
●Sheeky Yue, Mainland China

www.redressdesignaward.com/2021/semi-finalists

RDA People's Choice 2021.jpeg

Makers in gesprek met demissionair minister Ingrid van Engelshoven

Creatieve Makers in gesprek digitaal in gesprek met Ingrid van Engelshoven

Zelfstandigen in de culturele en creatieve sector worden extra hard geraakt door de coronacrisis. Demissionair minister Ingrid van Engelshoven sprak met 14 makers uit verschillende disciplines over de impact die de crisis op hun werk heeft: ‘We moeten ervoor zorgen dat de cultuursector sterker uit deze crisis komt. Ook een volgend kabinet moet hier stappen op zetten. Belangrijk is ervoor te zorgen dat de steun bij de mensen terecht komt waarvoor het bedoeld is’.

Op uitnodiging van Stimuleringsfonds Creatieve Industrie heeft Branko Popovic namens FASHIONCLASH deelgenomen aan het gesprek.

Link naar de post: Linkedin

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De Modeshow Podcast

Branko Popovic, van FASHIONCLASH team was te gest bij de tweede aflevering van De Modeshow podcast. De Modeshow is een initiatief van mode journaliste Georgette Koning die hiermee platform geeft aan verschillende waarden gedreven modemakers.

Aflevering 02: Idealisme, inclusiviteit, identiteit gaat over over mode & inspiratie. Waar moet je als modeontwerper je inspiratie vandaan halen om relevant te zijn?

“In deze aflevering praat ik met drie gasten over mode en inspiratie. De mode-industrie ligt onder een vergrootglas. Bij een nieuwe generatie ontwerpers spelen ethische waarden als inclusiviteit, culturele identiteit en gender een grote rol. Duurzaamheid is al een gegeven, maar de draagbaarheid van de kleding is veel minder een vereiste. Wat ik mij afvraag: Waar moet je als betrokken modeontwerper je inspiratie vandaan halen om relevant te zijn?  Wat wil de hedendaagse modeontwerper precies bereiken? Gaat het ‘nieuwe ontwerpen’ ten koste van het aloude ambacht? Wélke gevolgen heeft dat allemaal voor het beroep van modeontwerper?

 Ik praat met Bonne Reijn oprichter van Bonne Suits, over wat zijn inspiratie was voor het ontwerpen van zijn succesvolle ‘poor man’s suit’. De Arubaanse Darwin Winklaar studeerde mode aan de Rietveld Academie met een performance over zijn culturele identiteit. Branko Popovic, mede-oprichter van het jaarlijkse mode-event FASHIONCLASH Festival, vertelt over het nut van het festival en hoe elke editie hem een nieuwe wereld brengt met nieuwe perspectieven. “Er zijn altijd ontwerpers die hoop brengen en daar moet een podium voor worden gegeven.”

Beluister de aflevering en abboneer je op de podcast: www.demodeshow.nl

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Chromarama, the role of design in colour blindness

From 4 to 7 February 2021, Kukka presents the textile project Chromarama, with an online exhibition from De Wasserij in Rotterdam.

Chromarama questions one of the most basic aspects of design: colour. Chromarama investigates colour perception and experience by people with Colour Vision Deficiency (CVD), more commonly known as colour blindness, translated into jacquard woven tapestries. For most people seeing all colours comes naturally. Yet 1 in 12 men and 1 in 200 women are colour blind. What role can design (education) play? How do you ensure that visual information is not lost? How can we take visual limitations into account in both functional and aesthetic design?  
This artistic research has been translated into five jacquard woven tapestries. The graphic colour studies, inspired by Josef Albers and the Ishihara test, play with shape, contrast, texture, subtle shine, pattern and tactility. This talk discusses the research process and the design of the tapestries. With Chromarama, Kukka wants to contribute to a (design) world, where there is room for valuable experiences of people with a visual impairment or disability.

The exhibition opens on Thursday, February 4 at 11:00 am with an online tour. Laura Luchtman from Kukka will tell more about the project in a virtual lecture on Friday 5 February at 11:00 am. Both events can be followed online for free.

More information:
Practical information exhibition “Chromarama” | online
Thursday 4 to Sunday 7 February

Thursday February 4 | 11:00 - 12:00
virtual opening with artist talk via Instagram Live @kukkadesign

Friday February 5 | 11:00 - 11:40
virtual lecture via Zoom, register for free via Eventbrite

Chromarama is made possible by Dutch Creative Industries Fund, Stokroos Foundation, TextielMuseum and De Wasserij.

Photography by Studio Soest

Photo by Iris Tempelaar

Photo by Iris Tempelaar

About Kukka
Kukka is Laura Luchtman's textile and surface design studio. Kukka focuses on experimental colour and material research and is driven by the ecological and social aspects of sustainability. Through groundbreaking approaches to textiles, colour, production and consumption, Kukka aims to change our perception and provide opportunities for a more conscious industry. 

www.kukka.nl

Redress Design Award 2021 now open for entries

Leading sustainability NGO Redress opened the highly anticipated 2021 cycle of the Redress Design Award, the renowned global sustainable fashion design competition, now in its 11th cycle. With lead sponsorship from Create Hong Kong of the Government of the Hong Kong Special Administrative Region, Redress continues to propel collective effort to reduce global waste in the fashion industry. This cycle’s prizes include US$10,000 (HK$80,000) in development funding, and bespoke mentorships with world-renowned sustainable fashion experts.

Deadline for entries: 15 March 2021

Additionally, the Redress Design Award 2021 kicks off with a new edition of its Pathway Course, a tailored circular and sustainable fashion design curriculum free to all designers and now open for registration. The 4-session digital course complements Redress’ open-access LEARN platform, which supports emerging designers on a global scale with regularly-updated content on the latest sustainable design practices, with key guides now available in 5 languages.

Educating emerging designers on sustainable design theories and techniques is core to the Redress Design Award programme and its mission to drive growth towards a circular fashion system.

Redress Founder and Board Chair, Christina Dean said, “We must shift education urgently if we are to transform the fashion industry which, post-Covid, is rebuilding itself with sustainability at the centre. Now is the time to act. The industry is screaming for knowledgeable professionals to enter the market with ideas, techniques and creativity that can steer fashion through crisis and onto something more meaningful.”

In addition to CreateHK, sponsors of this year’s Redress Design Award include key industry leaders TAL Group and Avery Dennison, all of whom complement Redress’ mission through their commitment to a more sustainable industry.

More information:
www.redressdesignaward.com

De Limburger: "FASHIONCLASH Festival wordt in 2021 een online feest voor mode, kunst en talent"

Dit artikel werd gepubliceerd in De Limburger, 15-12-2020

Nieuw werk van de uit Limburg afkomstige ontwerpster Marlou Breuls is te zien op FASHIONCLASH Festival 2021. Afbeelding: Nikola Lamburov

Nieuw werk van de uit Limburg afkomstige ontwerpster Marlou Breuls is te zien op FASHIONCLASH Festival 2021. Afbeelding: Nikola Lamburov

De twaalfde editie van het FASHIONCLASH Festival wordt vanwege corona een geheel digitale editie van 26 tot en met 28 februari 2021. Geen (mode)shows en catwalks in Maastricht, maar wel interviews met ontwerpers, een digitale tentoonstelling en de Fashion Makes Sense Award-uitreiking.

DOOR KIM NOACH

De rust die op een grijze donderdagmiddag in december heerst in het kantoor van de FASHIONCLASH-crew aan de Batterijstraat in Maastricht is bedrieglijk. Achter toetsenborden en computerschermen bij creatievelingen thuis wordt hard gewerkt om alle recent gemaakte videobeelden, foto’s, interviews en informatie van het aanstaande FASHIONCLASH Festival te verwerken. Het moet allemaal van 26 tot en met 28 februari 2021 online klaarstaan.

Negentig procent wat je in februari online gaat zien, stond klaar in het draaiboek voor afgelopen november toen er nog sprake was dat het festival fysiek zou plaatsvinden, vertelt Branko Popovic. Samen met Laurens Hamacher en Nawie Kuiper is hij drijvende kracht achter FASHIONCLASH. Hamacher die ook bij het gesprek aanschuift, knikt en voegt toe: „Toen duidelijk werd dat het festival fysiek niet mogelijk was, hebben we de plannen binnen een week omgezet.” De heren zijn trots op het team dat zo hard werkt om het festival – ook in deze vreemde coronatijden – mogelijk te maken.

Charlotte Simons uit Roggel is op het FASHIONCLASH Festival te zien met haar ontwerpen. Foto: still uit de korte film van Charlotte Simons

Charlotte Simons uit Roggel is op het FASHIONCLASH Festival te zien met haar ontwerpen. Foto: still uit de korte film van Charlotte Simons

Afgestudeerd

De eerste digitale editie van het multidisciplinaire mode/kunst/performance-festival heeft misschien niet de energie van een live-ontmoeting, maar biedt kunstenaars en ontwerpers een kans om hun nieuwe werk toch te laten zien tijdens (semi-)lockdowns. Je zal maar net afgestudeerd zijn als ontwerper aan de academies in Maastricht of Eindhoven en nu geen podium hebben om je werk aan de wereld te tonen. Daarom is het zeker nu belangrijk, benadrukt Popovic, om alumni (net als alle voorgaande edities) een prominente plek te geven op het festival. Zoals bijvoorbeeld Charlotte Simons uit Roggel die studeerde aan de Design Academy Eindhoven en kleding ontwerpt geïnspireerd door Japanse anime en popcultuur.

Als het team van FASHIONCLASH iets geleerd heeft het afgelopen coronajaar, is dat hun website goed gevonden wordt nu fysieke ontmoetingen onmogelijk zijn. Branko Popovic: „Gelukkig hebben workshops en vooral ook onze coachingstrajecten inhoudelijk niets aan kracht verloren, dat blijkt online ook te werken.”

Festival

Voor de komende digitale editie van het festival koos het Fashionclash team ervoor om deelnemers en ontwerpers online in de spotlight te zetten met hulp van interviews en video’s die het werk van alle kanten uitgebreid laten zien. Waar de modellen normaal gesproken met ferme pas langs je lopen op de catwalk, wordt met hulp van een videoteam nu letterlijk ingezoomd op de ontwerpen. Ook heeft het team recent - onder strenge coronamaatregelen - een tentoonstelling opgebouwd die vastgelegd is door de vaste filmcrew bestaande uit makers Steve Iserger en Daniël van Hauten. Laurens Hamacher: „We vinden het ook belangrijk dat we ons vaste team inschakelen, die verantwoordelijkheid voelen we heel sterk. Zij hebben net als anderen het ook moeilijk vanwege corona. Daar waar je kunt, proberen we hen te helpen.”

Om de spanning en vooral ook de nieuwsgierigheid naar het digitale festival zo goed mogelijk op te bouwen, wordt er vooraf geen video of ander beeldmateriaal ‘vrijgegeven’.

Werk van Helène Klein uit Maastricht, die vanaf komende juli start met haar sieradenlijn en accessoires onder de naam Studio | HEEY. Foto: Ginger Bloemen

Werk van Helène Klein uit Maastricht, die vanaf komende juli start met haar sieradenlijn en accessoires onder de naam Studio | HEEY. Foto: Ginger Bloemen

Onder de titel ‘locals’ plaatst FASHIONCLASH Euregionaal en Limburgs talent digitaal in de etalage op de website. Zoals bijvoorbeeld werk van Helène Klein uit Maastricht (Studio | HEEY) en Ashley Luypaers uit Heerlen (PAERS). Het werk van de locals wordt online gepresenteerd door vier jonge theatermakers die in 2020 afstudeerden aan de Toneelacademie Maastricht en de ontwerpen in een groepsperformance tonen.

Ook de uitreiking van de Fashion Makes Sense Award komt de komende editie voorbij. Vrijdag 26 februari 2021 wordt de winnaar bekendgemaakt.

Lees hier het artikel (alleen voor abonnees van De Limburger)

Winners of the 7th International BIAAF Contest

Katiuscia Gregoire, Kim Yeong-hyeon and Christian Padilla, are named new winners of the 7th International BIAAF Contest for emerging fashion talent.

Outstanding creativity and the future of fashion came together in Bilbao at the 7th Bilbao International Art & Fashion Contest (BIAAF), which awarded its prizes on November 12th in the Edificio Ensanche. This year, the contest has overcome a series of difficulties, and has maintained its firm commitment to young talent and to continuing to generate opportunities, something "now more necessary than ever and decisive in order to offer them a more promising scenario than the current one", as highlighted by the organisation.

More than 1,250 promising young talents, coming from 90 different countries, have taken part in this edition, which announced its awards live with a streaming broadcasted on November 12th, from the Edificio Ensanche in Bilbao.

An exhibition at the Edificio Ensanche, from 12th to 16th November, brought together the works of the 30 finalists. The winners of each category, chosen by an international jury with representatives from the LVMH Fashion Group, Vogue Talents and Balenciaga Museum have competed for the awards.

The 30 finalists have been chosen from among 1,262 proposals, coming from young talents from 90 countries on all 5 continents. Katiuscia Gregoire (Parsons, U.S.A.) was awarded for the 'Best Outfit Design' with her collection “Hood Dandy”. Kim Yeonghyeon (Kookmin University, South Korea) was awarded for the ‘Best Accessory Design' with her collection “Hideey _Dynamics”, both worth 10,000 Euros. In addition, a special prize recognised the work of the 'Best Emerging Basque Designer', Christian Padilla, worth 5,000 Euros with his collection “Huasi”.

This year's works have been marked by different artistic and cultural references, such as the sculptures of Richard Serra, the photographic series 'The Americans' by Robert Frank, the architectural work of Santiago Calatrava, the novel 'Heart of Darkness' by Joseph Conrad, the painter Claude Monet and the 'concept of the diagram' by the French philosopher Deleuze. All of these proposals show "the decisive role of emerging designers in a world that is changing", as the organization highlights.

After the awards ceremony, an exhibition curated by Zorrozúa y Asociados in the Atrium of the Ensanche Building brought together, from November 12th -16th, the 30 finalist works, which have been chosen by an international jury made up of representatives from institutions such as the LVMH Fashion Group, Vogue Talents or the Balenciaga Museum, among other personalities.

"Edition after edition, among the proposals we see avant-garde and trends that materialize in commercial collections that will be seen in catwalks years later," says the organization of BIAAF, which highlights the commitment that the city of Bilbao makes with each edition of the event "for the creative industries and for an innovative model that brings together art, design, technology and sustainability in a transversal way”.

The close link between fashion, art and culture is precisely the thread of BIAAF's activity, which, in addition to holding a biannual competition, works to support the work of young designers, give them visibility and offer them a platform to start their careers.

Throughout the 7 editions of the contest, more than 6,000 promising young designers have had a window in Bilbao to show their designs to the world.

About BIAAF

Bilbao International Art and Fashion (BIAAF) is a platform that, with Art and Fashion as its stage, and with young designers as its protagonists, seeks to promote values such as creativity, entrepreneurship, internationalisation, innovation or sustainability.

Its most visible activity, the biannual international fashion design contest, reaches its seventh edition this year 2020, giving hundreds of fashion designers the opportunity to express themselves as they are, to express their personal imagery and to make them known to the world. At the same time, alongside international benchmarks, it also promotes training, thanks to scholarship programmes or master classes created 'ad hoc' to cover their needs.

This year, in the context of the contest, BIAAF has launched the campaign 'Fashion Is Not Just Fashion', with the aim of making visible, promoting and highlighting the different projects developed in fields such as research, high performance education or sustainability, all of which have emerged through the opportunities generated by the competition. Thus, every year, the platform develops high impact initiatives in the creative industries, hand in hand with key agents such as the Provincial Council of Bizkaia, the City Council of Bilbao and BBK Fundazioa.

@biaafbilbao

www.biaaf.com

State of Fashion: This is an Intervention

State of Fashion, a platform originated to re-think the fashion system, has announced their activities program containing four interventions: Introspection, Origins, Transition and Release. 

At State of Fashion the current game-changing events in the world, Covid-19 and worldwide Black Lives Matter movement, made them reflect their message. So far, they addressed the ecological footprint of fashion production, the promises of new materials, and fairness related to labour and working conditions, to explore how to redefine the ethics and values of fashion. This framework was the focus of their previous curator José Teunissen, and the 2018 exhibition ‘Searching for the New Luxury’. The events of 2020 almost automatically led to the new, broader focus of de-colonialism, that until now has been largely overlooked.

This is An Intervention

In the coming months, they will host four interventions featuring controversial readings, online talks, interactive workshops, and inspiring videos, films and visuals about the fashion system, its flaws and its future. First, they take a critical look at the fashion system and our role in it during an intervention dubbed Introspection. In the second intervention themed Origins in November, we trace the roots of the system and highlight work of those unseen. In the new year, we search for ways to rebuild the system in the third intervention themed Transition. Finally, in parallel with the announcement of a new curator team for State of Fashion 2022, we look for ways forward, in the intervention themed Release.

Join the conversation: 28 October, in Whataboutery #1

For each intervention, they invite thinkers and makers from different parts of the world to take over our platform. For the first intervention in October, they collaborate amongst others anthropologist Sandra Niessen (Research Collective for Decolonizing Fashion) and curator and writer Stephanie Afrifa for an introspection. This intervention dives into the question of what happens to designers, labels, producers, educators and others in fashion, when we revise the colonial values fashion is still largely based on?

Longread 'Regenerative Fashion: There can be no Other'
Strategies to revise fashion are based primarily on two issues: material and labour. As laudable and important as these efforts are, they are not sufficient to solve the crisis we are in.
Read 'Regenerative Fashion: There can be no Other'

Whataboutery #1

October 28th This ‘Whataboutery’ offers you the chance to listen to voices that are being systematically silenced and erased by the fashion industry and gives you the opportunity to enrich your perspective...
Find out more about Whataboutery #1

Plug-In: Culture.Fashion
A Plug-In is organized under the umbrella of the values driven and open network Culture.Fashion. Under this Plug-In, content connections are made between Dutch platforms such as OSCAM/Mafb, M-ODE and FASHIONCLASH that deal with similar themes within their current activities. On behalf of several platforms, three designers/makers are invited to actively join the conversation.
Amber Jea Slooten (The Fabricant) is one of the designers featured in the OSCAM x Modemuse: The New Normal exhibition. Her work has been presented via various platforms in the past years, currently on show in The New Normal (until 2nd of November). Since the lockdown, many socio-political issues have been amplified, from social distancing to the #BlackLivesMatter-movement. As a society, we are asked to find a ‘new normal’. But what does the new normal actually mean? OSCAM/Modemuze asked designers and bloggers to tell what it is that occupies their mind right now and reflect on these times on a personal, professional, social and global scale through the lens of fashion. The New Normal is on show until 2nd of November 2020.

Giorgio Toppin (XHOSA) has presented work with both Mafb and FASHIONCLASH projects. With his work, Giorgio tries to tell the story of what it means to be a black man in today’s society. Currently, he is working on a presentation for FASHIONCLASH Festival. This presentation will be developed in cooperation with Black Harmony and is part of the project around the theme of diaspora. For this he goes back to his roots in Suriname to research local craftmanschip. Lastly, the Toneelacademie Maastricht performance graduate Princes Isatu Hassan Bangura will join. Together with Via Zuid, FASHIONCLASH is co-producting her graduation project ‘Great Apes Of The West Coast’.

In addition, iArts Maastricht students are invited to actively join by including the dialogue in their research. Together with second year students from iArts Maastricht, Nina Willems and Linda Valkeman are building a ‘Decolonial Counter Archive’. In this archive they try to make stories and images from non-western cultures, that are often not visible in "regular archives", visible for the audience. ‘a Fashion Counter Archive’ is based on the archive of the preliminary research by Linda Valkeman in her own projects, and artistic research, done by the students in the months leading up to FASHIONCLASH Festival. “It’s our aim to enter into a new dialogue with visitors, based on the 'Decolonial Counter Archive.'”

Want to become part of the Culture.Fashion go to www.culture.fashion and subscribe.

www.culture.fashion
Instagram: @culture.fashion.nl


Outsiderwear

OUTSIDERWEAR
Streetwear by Outsider and Insider Artists


Outsider artists tend to be a little bit different. They often sidestep a conventional arts education, and operate outside of the mainstream art world. Sometimes they face mental or physical disabilities, homelessness and vulnerability. 

Outsiderwear is a new collaborative project combining talented outsider artists with a range of fashion designers and creatives, both emerging and established.

For the first edition of Outsiderwear, some 40 out- and insider artists join forces: sometimes in pairs, as well as in other, larger compositions. In the coming months, these teams will undertake a diverse range of creative projects: from performances and exhibitions to a series of band shirts and an underwear line. The result of these experimental collaborations will be shown and sold during the multidisciplinary Outsiderwear Festival, running from 12 March to 25 April 2021 in Amsterdam.

Outsiderwear is an initiative of artist Jan Hoek and Foundation Captain Hoek, in collaboration with Foundation M-ODE and Outsider Art Galerie.

Outsiderwear Festival
Lasting six weeks, the first Outsiderwear Festival seeks to celebrate creativity in all its forms, combining the worlds of outsider and insider artists in stimulating ways. Multiple locations in Amsterdam will host surprising exhibitions, shop-in-shops, an activist photo campaign, and a number of tours and talks.
Confirmed festival locations include Outsider Art Galerie, Hermitage Amsterdam, Patta Store, Galerie Vriend van Bavink and Zeedijk60.

The participants come from a range of varied backgrounds, from niche artists and big streetwear labels to independent designers and visual artists. During the Outsiderwear Festival, the following collaborations will be presented:

Theatergroep LeBelle X Duran Lantink 


Daniël Jos Eerenberg X Wobbewear


Ben Augustus X Piet Parra


Bruin Parry X Jan Hoek 


Antoine Monod de Froideville X Bonne Suits


Nielsjan Tavernier X Tom van de Borght


Rudy de Gruyl X Benedikt Fischer 


Stichting ArtBRUUT / Makom inloophuis X Tenant of Culture


Joey Bocciardo X Fenna Miedema X Lionel Plak X Nancy X MULAS HYBRID HAUS X SUMIBU X Tirino Yspol


Aadesokan X Maxivive (Lagos)


Ayse Somunchu X Bas Kosters


Regillio Benjamin X Desmond Tjon A Koy X Patta 


Mark Bossink X Sophie Hardeman


Sijtse Keur X Norbert de Jong X Alexxx X Hans Klastat X Minke de Fonkert X Bonne Suits 

Outsiderwear Bandshirts van o.a. Cengiz Imamdi 

Outsiderwear X Tattoo-project


Speech performance by Ulrike Möntmann


Various solo presentations, including Johan Vanderscheldenen and Naomi Schupper

Despite increasing attention for outsider art – now with its own museums, biennials and galleries – this world rarely experiences close contact with the creative industry at large. Outsiderwear wants to break this dichotomy, because many outsiders deserve wider recognition, whilst many insider makers feel a deep affinity with unconventional outsider practices.

Jan Hoek: "The first collaborations of Outsiderwear are beginning to take shape. It’s so special to see how logically the collaboration between outsiders and insiders works. I look forward to a future in which the boundaries between these two worlds fade away.”
Outsiderwear is supported by Fonds voor Cultuurparticipatie, VSB Fonds, Rabobank Amsterdam, StimuleringsfondsCreatieve Industrie, Stichting DOEN, Prins Bernhard Cultuurf onds and Stichting Cordaan and works together with Outsider Art Galerie, Herenplaats, De Volksbond (GJ Scheurleerweg), Stichting ArtBRUUT / Makom inloophuis, De Witte Olifant, Bijzonder Amsterdams, TheatergroepLeBelle and De Meijboom.

www.outsiderwear.nl  
instagram.com/outsiderwear_official

AGENDA
OUTSIDERWEAR FESTIVAL AMSTERDAM
12 March – 25 April
Presentation out- and insider collaborations. Collection sales begin. Webshop launch. Opening party. Exhibitions, tours and talks. Locations: Outsider Art Galerie, Hermitage Amsterdam, Super SEXYLAND World, Vriend van Bavink, Patta Store, Galerie Fleur & Wouter, ABCND Store and Zeedijk60.

OUTSIDERWEAR ON TOUR
March – August 2021 Expansion of collection. Exhibitions.
Shop-in-shops. Biennial presentation.

Esrah van Rooij - Theater LeBelle X Duran Lantink

Esrah van Rooij - Theater LeBelle X Duran Lantink

Tom van der Borght wins the Grand Prix and Public Prize at Hyères Festival

Belgian designer Tom van der Borght, the winner of FASHIONCLASH Festival 2019 Award, won the Première Vision Grand Prize at the 35th edition of the Hyères International Festival of Fashion and Photography. The prize was announced by a jury headed by designer Jonathan Anderson, founder of JW Anderson and creative director of Loewe.

What we really, really admired in the work of Tom van der Borght is that it was a totally new type of form, new type of shape, new type of commitment to a silhouette, and it was uncompromising,” designer Jonathan Anderson, head of the jury, said during a remote award ceremony. “And in this moment we are in, we as a jury believe that it was about starting this new decade with newness, this idea of originality.” Anderson continued: “It was not about looking at something for its automatic commercial sense. It was about the beauty within fashion, the handmade, the technique, and the risk in it. And I think Tom has really achieved something in what he has done and I think he will go on to do very well.

Tom Van Der Borght started his fashion education at the age of 30 and founded his label in 2013 after graduating from the Stedelijke Academie voor Schone Kunsten Sint-Niklaas. Recently he joined the Master of Theatre study at Toneelacademie Maastricht.

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'About The Undiscovered Future' is premiering during Dutch Design Week 2020

‘About The Undiscovered Future’ publication by Content Story is premiering during Dutch Design Week 2020. The publication features contribution by co -founder of FASHIONCLASH as well as other professionals who have been involved in FASHIONCLASH projects such as Matylda Krzykowski, Diane Pernet and Philippe Pourhashemi.

To retain the thoughts that were extremely loud when coronavirus began to spread, we asked the creative community to answer two questions: -What are you grateful for? (It can be a small, personal thing that you have learned during this time) -What is your dream? (for the world after the pandemic) 

The outline of the project was created at a time when the Corona virus began to spread aggressively across Europe, North America, South America, Africa and other continents, with a declaration of a global pandemic following soon after that. The mission was to retain the values that were extremely clear during those days. 

Among the 25 personalities who shared their thoughts and dreams were: Alice Rawsthorn, BCXSY, Branko Popovic, Dominic Wilcox, Fernanda Torre, Formafantasma, James Auger, Jan Boelen, Karolina Hałatek, Kathryn Best, Koert van Mensvoort, Marije Vogelzang, Matylda Krzykowski, Ross Lovegrove.

About Content Story

Established in 2017, the foundation has the purpose of implementing projects on the peripheries of design, art, technology and experience. Content Story believes that there is power in creativity, conscious design and quality information, a power that enables people to create social change. To date, the foundation organized 3 major projects: "BODY" exhibition during European Capital of Culture, "OVERLOAD" at Gdynia Design Days, and the conference "Undiscovered – Stories about Experience”.

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Fashion Makes Sense Award 2019 winner GARCIABELLO wins REDRESS DESIGN AWARD 2020

Environmental charity Redress concluded the Redress Design Award 2020 Grand Final of the world’s largest sustainable fashion design competition with menswear designer Le Ngoc Ha Thu (Vietnam) and womenswear designer Juliana Garcia Bello (Argentina) winning significant sustainable design collaboration prizes with global leaders, respectively VF Corporation’s Timberland and award-winning upcycled brand, The R Collective.

Redress’ 10th anniversary competition cycle, with lead sponsorship from Create Hong Kong of the Government of the Hong Kong Special Administrative Region, catapults bold new sustainable fashion talent into the spotlight as fashion’s waste crisis mounts due to Covid-19.

The Redress Design Award 2020 prize winners are:

  • The Redress Design Award 2020 Womenswear Prize with The R Collective: Juliana Garcia Bello, Argentina

  • The Redress Design Award 2020 Menswear Prize with VF Corporation and Timberland: Le Ngoc Ha Thu, Vietnam

  • The Redress Design Award 2020 Runner-up Prize with Orsola de Castro: Ruth Weerasinghe, Sri Lanka

  • The Redress Design Award 2020 Hong Kong Best Prize Winner: Grace Lant, Hong Kong

“Fashion’s waste crisis can’t be swept under the carpet any longer,” says Christina Dean, Founder of Redress and The R Collective. “Covid-19’s retail and supply chain disruptions have stranded materials in warehouses, factories and stores globally. Now is the time to catalyse the circular economy - and this is Redress’ focus. The Redress Design Award has for 10 years educated designers about circular design. The industry must not waste the opportunities that Covid-19’s crisis is offering.”

The two winners out-designed hundreds of applicants from 48 countries. Menswear winner Le Ngoc Ha Thu shared, “These last few weeks with the Redress Design Award has been such a nourishing and beneficial experience and joining the Timberland and VF teams is going to be an honour. They are such an amazing brand when it comes to sustainability - I am ready to learn everything I can from them.”

“I have learned so much during my participation in the Redress Design Award and have definitely come out of this with a reinforced feeling that collaboration is the key. We designers need to share our strengths and be inspired by each other to keep finding solutions to the mounting levels of textile waste,” womenswear winner Juliana Garcia Bello added.

Victor Tsang, Head of CreateHK, shared his congratulations to the awardees of the competition, “The Redress Design Award has established as a recognised brand in the sustainable fashion design community over the past years by educating emerging fashion designers in order to drive growth towards a circular fashion system”.

In the two weeks leading up to the live Grand Final, the 10 finalists, from 10 regions, successfully completed a gruelling series of virtual design and business challenges, which focused on real life sustainability business cases

with a spotlight on Covid-19 impacted waste, supported by VF Corporation and TAL Group, makers of one in six dress shirts in the US. The ‘Digital Up-cycling Challenge’ saw the finalists using Browzwear digital design and sampling software to create up-cycled concepts to turn TAL’s Covid-19-impacted deadstock garment waste into new products for retail. The ‘Made for Change Timberland Challenge’ saw the finalists develop sustainable and scalable business concepts, focusing on responsible design and re-manufacturing fabric deadstock.

“Our collaboration with Redress, now in its second year, connects us to talented, emerging designers who are passionate about creating fashionable, compelling designs with environmental responsibility in mind,” said competition judge Kevin Bailey, VF’s Executive Vice President and Group President, Asia Pacific Region and Emerging Brands. “We are constantly inspired by their commitment to circular design and creativity. These are the future leaders who are going to help drive lasting and positive change throughout our global industry and we are proud to be part of their journey.”

Education forms the Redress Design Award’s core with sustainable and circular design content delivered to more than 50,000 designers since the inaugural cycle through in-person lectures and academies, and online materials available in a combination of English, Chinese, and French. The competition has the support of 140+ universities worldwide.

Celebrating a decade of impact

To mark Redress’ decade of impact, the Grand Final also celebrated the Redress Design Award 2020 Alumni All Stars. This accolade was awarded to highest-achieving competition alumni, who were shortlisted from over 200 designers from 37 regions. Pat Guzik (Poland) and Annaiss Yukra (Peru) were awarded the All Star Prize, each receiving a retail partnership for their brands with sustainable marketplace, Staiy, and all seven All Star Alumni were awarded a significant showcase at Galeries Lafayette Shanghai forming part of the ‘Fashioning Change, Today and Tomorrow’ campaign and gaining brand promotion within China’s fast-growing fashion market.

Urgent need to find solutions for worsening waste crisis

Fashion’s waste is a significant challenge. The industry is estimated to generate 92 million tons of textile waste annually worldwide . Covid-19 is set to increase this; 60% of textile and clothing companies expect their sales to drop by half in the short term2 and with this deadstock and cancelled orders. The Redress Design Award 2020 finalists’ collections demonstrate numerous solutions to reduce waste throughout the entire fashion supply chain and also across industries. The appetite for change and collaboration has never been greater.

Become part of Culture.Fashion and work on a future proof fashion sector!

At the opening of State of Fashion 2018, Minister of Education, Culture and Science Ingrid Van Engelshoven announced that she wants to give an impulse to Dutch fashion by starting a (pilot) fashion program that connects initiatives and increases the cultural power of fashion in society. In February 2020 in Arnhem, the program was introduced with a broad working session. Since than, various fashion parties in the Netherlands have been working on an activity program, on a mapping of Dutch fashion and on a joint narrative.

Culture.Fashion is an open, value-driven, network in the field of fashion and textile that brings dedicated people together. Culture.Fashion will start new local initiatives, stimulate a culture of collaboration, present tools to highlight the Dutch fashion landscape and explore and shape the future of fashion of The Netherlands.

Become part of Culture.Fashion and work on a future proof fashion sector! Go the website of www.culture.fashion to stay updated and connected. More information will be revealed soon.

Culture.Fashion is supported by the Ministry of Education, Culture and Science.

Initiators: Erasmus University Rotterdam, FASHIONCLASH, MAFB, M-ODE, State of Fashion and TextileLab Amsterdam | Waag, Lisa Wolters and a growing network of partners.

(NL) Creatief tijdens Corona: FASHIONCLASH in De Limburger

Dit artikel werd gepubliceerd in De Limburger, 25-05-2020.

‘Het enige mode-event in Nederland dat dit jaar misschien wél doorgaat’

Hoe komen mensen in de cultuurwereld deze crisis door? In de rubriek ‘Creatief tijdens Corona’ komen Limburgse muzikanten, auteurs, kunstenaars en theater-makers aan het woord. In deze aflevering Branko Popovic en Laurens Hamacher van het Maastrichtse modeplatform Fashionclash.

Foto: Peter Schols

Foto: Peter Schols

DOOR RON LANGENVELD

Uiteraard hadden ze de voorbereidingen voor de twaalfde editie van hun Fashionclash festival in Maastricht liever onder normale omstandigheden getroffen. Zonder de restricties en onzekerheden die de coronascrisis met zich meebrengt. „Maar eigenlijk is dit ook best spannend”, vertelt Branko Popovic in het kantoor aan de Maastrichtse Batterijstraat. „Want je kunt deze situatie ook gebruiken om bijzondere dingen te doen.” Ze zullen ook wel moeten. Want een traditionele modeshow met een catwalk en een volle zaal publiek is komend najaar niet mogelijk. „Maar je kunt modellen bijvoorbeeld ook in een kamer neerzetten en het publiek erlangs leiden”, zegt Popovic. „Of we gaan dingen doen op bijzondere locaties, in huiskamers misschien”, suggereert mede-organisator Laurens Hamacher. „We zijn creatief, dus we gaan dit ook creatief oplossen.” En ze prijzen zich gelukkig dat hun festival pas in november op de kalender staat, als de coronaperikelen hopelijk alweer wat verder geluwd zijn. „We zijn straks misschien wel het enige mode-event in Nederland dat dit jaar wél doorgaat”, zegt Hamacher.

Je kunt deze situatie ook gebruiken om spannende en bijzondere dingen te doen. 
— Branko Popovic

Zuur

Maar dat de coronacrisis een diepe impact heeft op de mode- en kunstwereld, zien Popovic en Hamacher overal om zich heen. „Ontwerpers die in één keer al hun opdrachten zien wegvallen. Beginnende designers die plots met lege handen staan. Of de komende lichting afgestudeerden van de academies, die allemaal zonder afstudeershow hun opleiding moeten verlaten”, zegt Popovic. „Hoe zuur is dat!” Ook zelf hebben ze diverse projecten zien wegvallen. „We zouden onder andere voor de Museumnacht hier in Maastricht een event organiseren samen met studenten van de Toneelacademie”, vertelt Hamacher. „Dat is uitgesteld naar het najaar.” Maar of dat nog doorgaat en in welke vorm? Ze hebben nog geen idee. „We gaan hier zelf ook niet schadeloos uit komen”, voorspelt Popovic.

Podium

De Fashionclashers weigeren desondanks zich door het virus uit het veld te laten slaan. „Zeker nu niet”, zegt Popovic. Met hun initiatieven en events gelden zij als aanjagers van de modewereld en een podium voor jong talent. „En dat podium is juist nu harder nodig dan ooit.” Daarom proberen ze naast hun festival de modewereld juist nu van impulsen te voorzien. „Wat kunnen wij doen om de community van makers en ontwerpers te helpen?”, zegt Hamacher.

Een van de initiatieven die daaruit onlangs is ontsproten, is het project Digital Door Sale. Waarbij jonge Limburgse ontwerpers middels een filmpje op de website en sociale media van Fashionclash een creatie mogen tonen, toelichten en hopelijk verkopen. „Om jonge ontwerpers zichtbaar te maken in deze moeilijke tijd.” En om de modesector een beetje hoop te geven in bange dagen. „Want deze crisis gaat de komende jaren onherroepelijk gevolgen hebben.”

Alexandra Pisco in conversation with Jessica Michault

Alexandra Pisco (founder of PISCO&CO and Maisons de Mode) is currently one of the coaches of the Fashion House Business Development Program by FASHIONCLASH. She recently shared her vision for the future hold for independent fashion designers and brands during an Instagram Live conversation with fashion journalist Jessica Michault.

Watch the full video and hear her thoughts. What’s your opinion on this topic? Please share your vision in the comments!

www.jessicamichault.com

Trend Agency Move launches new trend book

Trend Agency Move launches new trend book: Trend Movement AW2021/2022. Featured on the cover is the work of designer Teun Seuren.

The Dutch trend watching agency Trend Agency Move has launched their new trend book ‘Trend Movement AW2021/2022’. The theme of the book is ‘Feel Xtreme Feelings’ and explains the leading trends on a consumer, market and design-level. The publications offer trend insights that help you to stay connected with your customer in a trend savvy way. It explains the trends, offers conceptual ideas and translates these into colours and shapes that offer inspiration for product development and design, in several industries. Especially in this new-normal-era that has appeared after COVID-19 infected the world, it is important to understand what the new values and desires are of consumers.

This visual and textual trend book is your guideline for new concepts and brand strategies in markets like retail, fashion, beauty, technology, sports, home decor, media, marketing and other lifestyle-related industries. Also manufacturers in fashion are keen on the leading trends for the next season. Trendwatcher Renske Mennen: “By knowing what is now and what is next, it is possible to come up with concepts and design strategies which make this world a more beloved place to live. I do this all for the growth of care, confidence and respect for our future-self.”

You can download the first chapter of Trend Movement AW 2021/2022 for free. The first chapter, Humanize Emptyness, describes the end of the ‘owning-ere’. “It’s all about meaningful connection. That’s it. Nothing else.” It gives you a perfect impression of the way the trends and developments are important to be aware of, as a company or organisation, and also offers inspiration and a guideline about how to cope with these developments and leading trends.

The book contains four trend-chapters and next to that the book contains colour cards colour-cards that contain 132 seasonal colours. The consumer, market, and design trends are spotted by trendwatcher Renske Mennen. The cover photo is made by Gijs van de Veerdonk, and de fashion design is made by Teun Seuren. The text edit is done by Richard Todd.

The trend book can be found here and costs €1400,00. For more information, trendwatcher Renske Mennen can be contacted via renske@trendagencymove.com.

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COVID-19: support for entrepreneurs, self-employed & freelancers in The Netherlands

COVID-19 is, first and foremost a global humanitarian challenge and a medical emergency. However, we are well aware of its impact on creative entrepreneurs and freelancers. The ecosystem and sector is hit really hard economically and probably many of you have seen their clients and projects decrease in the last few weeks.

The Dutch cabinet has announced a support package for SME entrepreneurs, self-employed people and freelancers as well as large companies. In short, the measures which are now in place are as follows:

  • TEMPORARY ARRANGEMENT FOR COMPENSATION FOR WAGE COSTS (MINISTRY OF SOCIAL AFFAIRS AND EMPLOYMENT)
    An entrepreneur who expects a loss of turnover (at least 20%) can apply to the UWV for a salary contribution for a period of three months (maximum 90% of the wage bill, depending on the loss of turnover). UWV will provide an advance of 80% of the requested contribution. This allows companies to continue to pay their staff. The condition is that no staff may be made redundant for economic reasons during the subsidy period. This Temporary Emergency Measure Bridging for Work Retention (NOW) will be opened as soon as possible and will replace the current working time reduction scheme. No new applications can immediately be submitted for this to SZW. Applications that have already been made but not yet settled will be handled in the new scheme. Entrepreneurs can apply for the allowance for a decrease in turnover from 1 March.

  • EXTRA SUPPORT FOR INDEPENDENT ENTREPRENEURS (MINISTRY OF SOCIAL AFFAIRS AND EMPLOYMENT AND MUNICIPALITIES)
    The cabinet is introducing a temporary, relaxed arrangement to support independent entrepreneurs, including self-employed persons, so that they can continue their business. The scheme is implemented by the municipalities. Self-employed persons can receive additional income support for subsistence for a period of three months through an accelerated procedure. This supplements the income to the social minimum and does not have to be repaid. There is no asset or partner test in this temporary assistance scheme for self-employed persons. Support under this temporary scheme is also possible in the form of a working capital loan at a reduced interest rate.

  • RELAXATION OF DEFERRAL OF PAYMENT OF TAX AND REDUCTION OF FINES (TAX AND CUSTOMS ADMINISTRATION)
    Affected entrepreneurs can more easily apply for deferral of tax. The Tax Authorities will then immediately stop the collections. This applies to income, corporate, wage and turnover taxes (VAT). Any default penalties for late payment do not have to be paid. Moreover, it is not necessary to send evidence immediately. The entrepreneur gets longer to do this. The recovery interest that normally starts after the expiry of the payment term is temporarily reduced from 4% to almost 0%. This applies to all tax debts. The rate of the tax interest also temporarily goes to almost 0%. This reduction will apply to all taxes subject to tax interest. The cabinet will adjust the tax rate as soon as possible.

  • BROADENING OF THE GUARANTEE FOR ENTREPRENEUR FINANCING (MINISTRY OF ECONOMIC AFFAIRS)
    Businesses that experience problems in obtaining bank loans and bank guarantees can use the Guarantee Business Financing scheme (GO). The cabinet proposes to increase the GO's guarantee ceiling from 400 million to 1.5 billion euros. With the GO, EZK helps both SMEs and large companies with a 50% guarantee on bank loans and bank guarantees (minimum 1.5 million - maximum 50 million euros per company). The maximum per company is temporarily increased to 150 million euros. The Cabinet is committed to providing all warranty space that is required.

  • INTEREST DISCOUNT SMALL ENTREPRENEURS ON MICROCREDITS QREDITS (MINISTRY OF EZK)
    Microcredit provider Qredits finances and coaches a large group of small and starting entrepreneurs, who often find it difficult to obtain financing through the bank. These include entrepreneurs in the catering, retail, personal care, construction and business services. Qredits opens a temporary crisis measure: for small entrepreneurs affected by the corona issue, a repayment of six months is offered and the interest during this period is automatically reduced to 2%. The Cabinet supports Qredits for this measure with a maximum of 6 million euros.

  • COMPENSATION SCHEME FOR THE ARTS AND CULTURE SECTOR (MINISTRY OF EZK)
    The government's health measures have enormous consequences for income in a number of sectors in particular. Such as the (mandatory) closure of food and beverage outlets and cancellations in the travel industry. Moreover, this income is difficult to catch up when the coronavirus is over. The Cabinet is therefore introducing a compensation scheme that also applies to the Arts and Culture sector, and the government proposes to grant companies in these and other such sectors a fixed fee of € 4,000. The conditions for this compensation are not yet known. This is now being worked out and urgently submitted to the European Commission for the assessment of (permissible) state aid.

    WHERE CAN ENTREPRENEURS GO?
    Entrepreneurs report to their credit company regarding the loans provided, and for tax measures they can contact the Belastingdienst (Tax Authority) Belastingdienst.nl/coronavirus You can also call the Kamer van Koophandel (Chamber of Commerce) Advice Team on +31 (0)800 2117 on weekdays from 8:30 to 17:00.

    Image: Emilie Thirion by Team Peter Stigter during FASHIONCLASH Festival 2016